ART. INSPIRATION.
Install Theme

artchipel:

Artist on Tumblr

James Fenner | on Tumblr (USA)

James Fenner is a freelance illustrator who has studied Media Art and Animation at The Art Institute Of Portland, in Oregon. His illustration is a harmonious mix of graphite and digital techniques, distinguished by its dreamlike approach and whimsical sets. Fenner is an aspiring editorial illustrator, most of his pieces tell their own tale, and the characters he depicts are more protagonists of a larger story than simple subjects. (cf. Fresh&Bold)

© All images courtesy of the artist

[more James Fenner | artist found at septagonstudios]

(via bittersweetart)

brokenponycutiemark:

magictransistor:

Karl Friedrich Schinkel, scenic designs for Die Zauberflöte (The Magic Flute); The Hall of Stars in the Palace of the Queen of the Night [Königin der Nacht]; Entwurfzeichnung zum Bühnenbild, Berlin, c. 1816.

The first three pictures were dead giveaways to me.

My favorite opera. As is well, WELL understood. :)

(via scenicartdepository)

everythingscenic:

Macbeth. Richard Kent.

everythingscenic:

This Is My Family. Richard Kent.

i-love-art:

Gustav Klimt: ‘The Blood of Fish, 1898’

i-love-art:

Gustav Klimt: ‘The Blood of Fish, 1898’

(Source: moodbag, via femmewolfprince)

jaded-mandarin:

Justus Susterman. Detail from Portrait of a Medici Princess, Margherita di Cosimo II,  17th Century.

jaded-mandarin:

Justus Susterman. Detail from Portrait of a Medici Princess, Margherita di Cosimo II,  17th Century.

(via seabois)

littlelimpstiff14u2:

Artist Henrique Oliveira Constructs a Cavernous Network of Repurposed Wood Tunnels at MAC USP

Brazilian artist Henrique Oliveira (previously) recently completed work on his largest installation to date titled Transarquitetônica at Museu de Arte Contemporânea da Universidade in São Paulo. As with much of his earlier sculptural and installation work the enormous piece is built from tapumes, a kind of temporary siding made from inexpensive wood that is commonly used to obscure construction sites. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior. Transarquitetônica will be on view through the end of November this year, and you can watch the video above by Crane TV to hear Oliveira discuss its creation.

Via Colossal

(via scenicartdepository)

everythingscenic:

Bliss. Lizzie Clachan.